Siobhan performed as a professional actress for over twenty years, which included two years at the Royal Shakespeare Company, productions at the Royal Court and Shakespeare’s Globe.

She performed in many Katie Mitchell productions and in three series of the BAFTA winning children’s drama Maid Marion and Her Merry Men (Rotten Rose) and has also performed in most British television soaps.

Siobhan left acting to concentrate on writing, directing and producing short films and documentaries. Her first screenplay, Monica Ol’e, was the winner of the Women in Film & Television & Avalon Productions Screen-Writing Award and was made into a feature film. She went on to write numerous episodes of the CBBC animation series Boo and the BAFTA-winning BBC series The Chuckle Brothers.

Siobhan has directed plays nationally and internationally for well-known theatre schools and companies and now works full time as Head of Creative Arts at Sackville school, Hildenborough, Kent. Her plays and schemes of work are regularly published by Educational Publishers.

Website: https://thecurioustheatrecompany.com/wordpress/

Publishers: https://zigzageducation.co.uk/synopses/9335-zombie-school-scheme-of-work-for-ks3?pod=9335

I am delighted to serve as a patron of Drama Matters, a free organization driven by Tracey Dorrington and passionate teachers who come together to support, enrich, and inspire both teachers and students. Drama Matters isn’t just a resource, it’s a community where creativity and connection flourish.

During the challenging days of the COVID pandemic, Drama Matters became much more than a place for professional development. It became a lifeline. The bonds forged during those times went beyond the professional, they evolved into genuine friendships built on mutual support and shared concerns. Talk Tuesdays brought top industry professionals into our virtual spaces where we learnt about their techniques and methods, these conversations were nothing short of transformative.

What truly sets Drama Matters apart is the dedication of its members. The commitment of teachers, giving up evenings and precious weekends to meet, learn, and share, is nothing short of extraordinary. Their passion for drama and their generosity in building each other up exemplify why this organization is so important.

Drama Matters reminds us why drama truly matters. It’s not just about the art, it’s about the people, the incredible teachers who pour their time and energy into uplifting the next generation of artists and thinkers. Being a patron of this organization is an honour, and I look forward to continuing to champion its mission.